|  | What motivates the good and bad guys - and Spielberg and Lucas, for that matter? Surprising answers in this top entry from our writing contest celebrating Indiana Jones's true independent spirit. |
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|  | It takes a fan to go this far. "The Man with the Hat" is a top pick in the MPM/TheRaider.net-sponsored contest that celebrates Indiana Jones's true independent spirit. |
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|  | Bomb It documentarian Jon Reiss talks about graffiti and the fury of public expression - and his crew's brushes with law enforcement while filming. |
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|  | A captivating and emotional drama of child sexploitation shot in actual brothels in Phnom Penh. Filmmakers awarded as Heroes for efforts. (View more MPM Special Features.) |
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|  | Writer/director Seth Landau shares the pain behind Bryan Loves You. Visit our Special Features for more filmmaker insights. |
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|  | ...is vital for the industry, says IFTA chairman and Troma Entertainment head Lloyd Kaufman, on the eve of the American Film Market 2007. |
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|  | A Plumm Summer screenwriter TJ Lynch shares the story's journey from conception to film - and YOU may help determine its theatrical future. |
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|  | Mining for supernatural gold. (Special for October 2007) For more Special Features, offering a different take on film and filmmakers, click HERE. |
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|  | Director Stephane Gauger writes of his inspiration for shooting Owl and the Sparrow, winner of the Audience Award at the L.A. Film Festival. (Special for 2007 L.A. Film Festival) |
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|  | The "I wish I could do a movie like that" experience of Nobel Son filmmaker Randall Miller. (Special for Tribeca 2007) |
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|  | Feature article in the Icons issue (June/July 2006). By Charlie Chaplin's granddaughter, Kiera Chaplin. |
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|  | British theatre notable Steven Berkoff reminisces on working with Eddie Murphy. (Moving Pictures Magazine Humor & Animation issue, Aug./Sept. 2006) |
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|  | How Mickey Spillane created Mike Hammer - and became him. |
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|  | In a global economy, constructs of commerce necessitate strategic caution, says IFTA pres and CEO Jean Prewitt. |
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|  | AFI and its mission: recognizing and celebrating excellence in the art of film, television and digital media. |
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|  | Feature article in Morality issue (Oct./Nov. 2006). |
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|  | Feature article in the Icons issue (June/July 2006). The film's makers share the story behind the documentary The U.S. vs. John Lennon. |
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|  | The filmmaker shares with MPM's readers the enthusiasm of everyone who got on board with his documentary, from U2 to Lionsgate. |
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|  | How do the magicians see the tricks of the trade? 2007 Awards Season extra. |
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|  | Flushed Away throws out the bathwater but keeps the baby. (AFI Special Issue 2006) |
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|  | Interview with Volver star Penelope Cruz. (AFI Special Issue 2006) |
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|  | Find out what new documentary has had such an influence on society. (God, Sex, Power: The Politics of Society Moving Pictures Magazine Oct./Nov. 2005) |
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|  | Guest Editor Ron Underwood discusses how film deals with the politics of society. (God, Sex, Power: The Politics of Society Moving Pictures Magazine Oct./Nov. 2005) |
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|  | Guest editor John Daly comments on gratuitous violence in movies and the effect it has on its younger audience. (Fashion Moving Pictures Magazine Aug./Sept. 2005) |
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|  | How Todd Wagner went from owning an Internet company to a digital media enterprise. (Business & Technology issue Moving Pictures Feb./Mar. 2007) |
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|  | So many stars support philanthropic causes. Which ones are for real and how much does it help? (Political issue Moving Pictures Nov./Dec. 2004) |
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|  | When she frolicked on the Riviera's beaches, the sex siren proved film could be fun and fashionable. |
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|  | Writer/director Ben Affleck and two of his lead actors, Casey Affleck and Amy Ryan, reveal their personal responses to the story. |
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|  | Writer/director Ben Affleck and two of his lead actors, Casey Affleck and Amy Ryan, reveal their personal responses to the story. |
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|  | Writer/director Ben Affleck and two of his lead actors, Casey Affleck and Amy Ryan, reveal their personal responses to the story. |
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|  | Controversy in life and death followed Dean Reed, the "Red Elvis," a subject for documentaries and possible future feature from Tom Hanks. |
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|  | With hand-drawn charm, mythic allure and inconceivable graphics and effects, each seems set to deliver a product that differs in tone, style and heroics. |
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